This title has unfortunately been deleted. The recording you are about to hear is IMHO a peak example of a 90's post-bop recording session. Firstly you can't go wrong IMO with Bill Stewart workin' the kit. But outside of the wonderful snakey grooves, the horn arrangments really shine and the individual solos are bubbling with vigor and creativity. I had the good fortune to catch this short-lived band live and they simply tore a hole through the sky. The audience was in a trance.
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The short-lived Blue Note All-Stars came together in late 1995 when WNET had a special radio report on young up-and-coming musicians and requested interviews with some of Blue Note's artists. Since trumpeter Tim Hagans, tenor-saxophonist Javon Jackson, altoist Greg Osby, pianist Kevin Hays and drummer Bill Stewart were all available (and had recently played with different groups at the Mt. Fuji Jazz Festival) they were interviewed and (at the request of WNET producers) played a few songs together (along with bassist Doug Weiss). When the resulting music was stronger than expected, Blue Note's Bruce Lundvall arranged for the band to record and play some concerts. With Essiet Essiet on bass completing the band, they recorded Blue Spirit (their only CD) and toured across country (in addition to playing some New York gigs) before going their separate ways. Despite the group's name, they did not perform older Blue Note classics but instead concentrated on original material. Most interesting was hearing the contrast between the adventurous free funk altoist Osby and the Joe Henderson-inspired hard bop tenorman Jackson and how they were indirectly influencing each other. ~ Scott Yanow, All Music Guide
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